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Why Author Headshots Are Nothing Like Corporate Headshots (And Shouldn't Be)

Aug 25 2026 | By: Tracy Allard

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When an author walks into my studio, the conversation looks a little different than it does with a corporate client. It's not just about looking polished. It's about looking like yourself, specifically the version of yourself your readers are going to trust, connect with, and want to spend hours with between the pages of a book.

I got a vivid reminder of this when YA science fiction author Jon McBrine came in for a session recently.

Portrait of a smiling man in glasses wearing a blue blazer and red shirt on a gray background

Author Jon McBrine

One Author, Five Looks, Three Very Different Audiences

Jon writes young adult sci-fi, and like most authors today, his headshots need to do a lot of heavy lifting. He wasn't just looking for one great photo. He needed images that could speak to completely different rooms.

There was the book signing crowd: parents and kids, the people who need to feel like Jon is someone they'd be comfortable approaching at a table. Then there were the convention appearances, think ComicCon-style events, where the vibe is enthusiastic and a little geeky and that's absolutely a compliment. And then there were the more formal needs: a dust jacket image for his publisher and professional photos for meetings on the business side of the industry.

Three audiences. One session. That's what we were working with.

Jon is a big guy with a great beard, and my first job was to make sure his images worked for him rather than against him. A big guy in the wrong clothes can come across as imposing when the goal is approachable. The right choices make him look exactly like what he is: someone you'd want to talk to for hours about alien civilizations and the best order to read his books.

Portrait of a bearded man in a blue suit and red shirt seated against a plain gray background
Smiling man in navy polo shirt standing against a yellow background
Smiling man in navy polo shirt with glasses standing against a light gray background

Clothing as Communication

I always tell clients that what you wear to a shoot is part of the story you're telling. For Jon, we built five looks that covered the full range of who he is and what he needed.

We pulled colors that complemented his website palette so there would be visual consistency across every touchpoint where his images appear. That kind of intentional coordination is something a lot of people don't think about until after the shoot, and it makes a real difference when someone lands on his site and then sees the same Jon on the back of his book.

One of my favorite choices from the session was suggesting a graphic tee for some of his images. For Jon, it was exactly right. It showed that he doesn't take himself too seriously, that he's a fan as much as he is a creator. That self-effacing quality is genuinely part of his brand, and the graphic tee communicated it without him having to say a word.

We moved through five looks: casual and approachable, convention-ready, polished for the publisher, dust-jacket worthy, and something in between that gave him flexibility. Each look told a slightly different story while still being unmistakably him.

What Makes Author Headshots Succeed

After working through this session with Jon, here's what I'd tell any author who's thinking about booking a headshot session.

Know your audiences before you walk in. Jon came in with a clear sense of where his images were going to live. That clarity made every decision faster and better. If you write cozy mysteries, the look that works for a bookstore signing might be completely different from what you need for a speaking engagement at a library conference. Think about all the places your face is going to show up.

Your personal brand has a color palette. If you have a website, look at it before your session. Bring those colors into what you wear. When your headshots and your online presence feel cohesive, you look more established and more intentional, even to people who can't quite articulate why.

Approachable and professional are not opposites. This is the thing I find myself saying over and over, especially to authors who write for younger audiences or who do a lot of public-facing events. You can look like someone a twelve-year-old would want to approach at a signing table and still look like someone a publisher takes seriously. The two are not in conflict. It's about which version of you is in front of the camera, and a good session gives you both.

Plan for multiple looks. Jon's Essential Headshot package gave him five looks, which is exactly right for someone with his range of needs. One great photo is better than nothing, but if you're actively publishing and doing events, you'll find that a single image runs out of usefulness faster than you expect. Different contexts call for different images.

Portrait of a man beside a Jon McBrine campaign sign, smiling and holding a railing.

He Used Them the Same Day

My favorite part of Jon's session wasn't the graphic tee shot, though that one is excellent. It was that he used the images the same day I delivered them.

That tells me everything I need to know about whether we got it right.

If you're an author in the Dallas-Fort Worth area and your author photo is either missing, outdated, or something you cringe at every time someone tags you in it, I'd love to talk about what a session could look like for you.

Penny Whistle Photography is located in Carrollton, TX and serves authors, creatives, and professionals throughout Dallas, Fort Worth, Plano, Frisco, Southlake, Flower Mound, Coppell, and the greater DFW area.

Learn more about author headshots
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