By: Tracy Allard
Models need a rolling bag full of options. Actors need something different entirely.
Your job walking into an audition or a shoot is to look exactly like the person in your headshot, feel comfortable in your own skin, and have nothing distracting you from the work. The last thing you want is a wardrobe malfunction, a makeup emergency, or a visible coffee stain pulling your focus right before you walk into the room.
Your kit does not need to be large. It needs to be right.
Everything in your bag should serve one purpose: helping you show up as the most polished, relaxed version of yourself. You are not there to become someone else. You are there to be you, clearly and confidently. Keep that in mind as you build your kit.
Bring two to three options that fit your type and are appropriate for the role or the brief. If you are auditioning for a corporate drama, bring something that reads professional. If it is a commercial for a family brand, lean approachable and relatable. When in doubt, solid colors photograph and read on camera far better than busy patterns.
Always pack:
These take up almost no space and have saved more auditions than any acting class.
Bring at least two pairs: one that is comfortable for waiting (auditions involve a lot of sitting in hallways) and one that works for the look you are going for. If the role calls for heels, wear them in beforehand so you are not wincing when you walk into the room. Bring heel grips if you are prone to blisters.
Here is where actors and models part ways significantly. Your audition or shoot makeup should look like your everyday face, just cleaned up. Casting directors and photographers alike want to see you, not a version of you that disappears when the cameras stop rolling.
Pack what you use daily, nothing more dramatic, and bring enough for touch-ups:
Men: a light concealer for under-eye circles or blemishes is worth having. A small amount of mattifying powder keeps shine off under lights.
Come with your hair done and bring what you need to maintain it. That means whatever products you use daily, plus:
If your hair is something casting directors notice (a distinctive curl pattern, a great color, a strong style), protect it. That is part of your look.
Hot lights, recycled air, and nerves are not great for your skin. A few small additions to your kit go a long way:
This is where a lot of actors fall short, and it is the easiest category to get right.
Always have:
Show up knowing where you are going, when you need to be there, and who to ask for. It sounds basic because it is, and it makes a noticeable impression.
Heavy or unusual fragrance. Strong scents in a small waiting room are distracting and not always welcome on set. Keep it subtle or skip it.
Anything that makes noise. Jangling jewelry, squeaky shoes, anything that pulls attention away from you when you are in the room.
A look that does not match your headshot. If you have significantly changed your hair color, length, or overall appearance since your last headshot, prioritize updating your images before your next submission cycle. Walking in looking like a different person is a problem no audition kit can fix.
An actor's kit is not about options, it is about confidence. When you know you look like yourself, your clothes are secure, your hair is right, and you have everything you need for whatever comes up, you can put all of your attention where it belongs: on the work.
Build your kit once, keep it stocked, and bring it everywhere. The audition you are most prepared for is usually the one you book.
Tracy Allard of Penny Whistle Photography is a Master of Photography, Photographic Craftsman, and Certified Professional Photographer, holding the M.Photog., Cr.Photog., and CPP degrees from the Professional Photographers of America (PPA), designations held by fewer than 2,000 photographers nationwide and a hallmark of consistency, technical skill, artistry and professionalism.
Penny Whistle specializes in both on-location and studio photography providing pet, family, and high school senior portraits as well as headshots and commercial photography services in her studio located in historic downtown Carrollton as well as on location in Coppell, Grapevine, Southlake, Flower Mound and surrounding communities in Dallas – Fort Worth, Texas.